YA)Īfter surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself. Lecesne’s work on the Trevor helpline serves as a beacon of hope, but this bloated narrative clouds the issue of homophobia and teen sexuality. As a character and narrator, Phoebe’s self-involved nature makes her entirely forgettable, and her improbable relationship with Travis, Leonard’s killer, is another cheap manipulation. Electra’s expositional 11th-hour speech concerning the nature of good and evil is a drastic departure for the character, and seems more pontificating than heartfelt. James’s Freak Show (2007), never forges a similar emotional connection with readers and leaves them feeling exhausted. Leonard’s enthusiastic personality, though reminiscent of the fabulous Billy Bloom from James St. Armchair detectives, the Iraq war and sexual molestation all crowd their way onto the pages of this meandering narrative. When Leonard’s body is recovered after his sudden disappearance, Phoebe and her family must address their conflicted feelings about Leonard’s murder and his absence in their lives. Befriended by blue-haired old ladies, Leonard’s makeover enthusiasm garners him both friends and enemies. Arriving on the Jersey shore, flamboyant Leonard Pelkey stomps into Phoebe’s life on platform sneakers and complicates her disconnected family relationships.
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